![]() Oblivious to this peaceful scene, the angel approaches Abel, a tiny cross in his right hand. The angel soars over Abel’s faithful herding dog, panting as it watches over the pasture, as well as three sheep from his flock, which are carefully stacked on top of each other to create the illusion of depth. On the left-hand face of the capital, the angel swoops down, and his ruffled garment indicates his haste to arrive on the scene. ![]() In the Glencairn example, the sculptor chose to indicate God’s acceptance of Abel’s sacrifice through the intervention of an angel (Figure 2). However, this detail was open to interpretation by medieval artists, and in other examples God is shown pointing directly to Abel from Heaven. ![]() The Bible does not describe how God expressed his preference for Abel’s sacrifice, though tradition states that a sign of fire was sent.
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